来源:
小编: 5842015年8月8日雅思阅读机经分析
南京环球教育教研中心-唐颖婷
考试日期: | 2015年8月8日 |
Reading Passage 1 | |
Title | The legend of tea 茶的历史 旧 |
Question types: | List of headings 8 Matching 5 Question 1-8 参考答案 |
文章内容 | The History of Tea A The story of tea began in ancient China over 5,000 years ago. According to the legend, Shen Nung, an early emperor was a skilled ruler, creative scientist and patron of the arts. His far-sighted edicts required, among other things, that all drinking water be boiled as a hygienic precaution. One summer day while visiting a distant region of his realm, he and the court stopped to rest. In accordance with his ruling, the servants began to boil water for the court to drink. Dried leaves from the nearby bush fell into the boiling water, and a brown liquid was infused into the water. As a scientist, the emperor was interested in the new liquid, drank some, and found it very refreshing. And so, according to legend, tea was created. Tea consumption spread throughout the Chinese culture reaching into every aspect of the society. In 800 A.D. Lu Yu wrote the first definitive book on tea, the Ch’aChing. This amazing man was orphaned as a child and raised by scholarly Buddhist monks in one of China’s finest monasteries. Patronized by the Emperor himself, his work clearly showed the Zen Buddhist philosophy to which he was exposed as a child. It was this form of tea service that Zen Buddhist missionaries would later introduce to imperial Japan. The first tea seeds were brought to Japan by the returning Buddhist priest Yeisei, who had seen the value of tea in China in enhancing religious mediation. As a result, he is known as the “Father of Tea”in Japan. Because of this early association, tea in Japan has always been associated with Zen Buddhism. Tea received almost instant imperial sponsorship and spread rapidly from the royal court and monasteries to the other sections of Japanese society. Tea was elevated to an art form resulting in the creation of the Japanese Tea Ceremony (“Cha-no-yu”or “the hot water for tea”). The best description of this complex art form was probably written by the Irish-Greek journalist historian Lafcadio Hearn, one of the few foreigners ever to be grantedJapanese citizenship during this era. He wrote from personal observation, “The While tea was at this high level of development in both Japan and China, information concerning this then unknown beverage began to filter back to Europe. Earlier caravan leaders had mentioned it, but were unclear as to its service format or appearance. (One reference suggests the leaves be boiled, salted, buttered, and eaten) The first European to personally encounter tea and write about it was the Portuguese Jesuit Father Jasper de Cruz in 1560. Portugal, with her technologically advanced navy, had been successful in gaining the first right of trade with China. It was as a missionary on that first commercial mission that Father de Cruz had tasted tea four years before. The Portuguese developed a trade route by which they shipped their tea to Lisbon, and then Dutch ships transported it to France, Holland, and the Baltic countries. (At that time Holland was politically affiliated with Portugal. When this alliance was altered in 1602, Holland, with her excellent navy, entered into full Pacific trade in her own right.) Because of the success of the Dutch navy in the Pacific, tea became very fashionable in the Dutch capital, the Hague. This was due in part to the high cost of the tea (over $100 per pound) which immediately made it the domain of the wealthy. Slowly, as the amount of tea imported increased, the price fell as the volume of sale expanded.Initially it was available to the public in apothecaries along with such rare and new spices as ginger and sugar, and by 1675 it was available in common food shops throughout Holland. As the consumption of tea increased dramatically in Dutch society, doctors and university authorities argued back and forth as to the negative and/or positive benefits of tea. Known as “tea heretics”, the public largely ignored the scholarly debate and continued to enjoy their new beverage though the controversy lasted from 1635 to roughly 1657. Throughout this period France and Holland led Europe in the use of tea. As the craze for things oriental swept Europe, tea became part of the way of life. The social critic Marie de Rabutin-Chantal, the Marquise de Steven makes the first mention in 1680 0f adding milk to tea. During the same period, Dutch inns provided the first restaurant service of tea. Tavern owners would furnish guests with a portable tea set complete with a heating unit. The independent Dutchman would then prepare tea for himself and his friends outside in the Imperial Russia was attempting to engage China and Japan in trade at the same time as the East Indian Company. The Russian interest in tea began as early as 1618 when the Chinese embassy in Moscow presented several chests of tea to Czar Alexis. By 1689 the Trade Treaty of Newchinsk established a common border between Russia and China, allowing caravans to then cross back and forth freely. Still, the journey was not easy. The trip was 11,000 miles long and took over sixteen months to complete. The average caravan consisted of 200 t0 300 camels. As a result of such factors, the cost of tea was initially prohibitive and available only to the wealthy. By the time Catherine the Great died (1796), the price had dropped some, and tea was spreading throughout Russian society. |
Reading Passage 2 | |
Title: | The secret of yawn 打哈欠 旧 |
Question types: |
Summary 5 Information Containing 5 TFNG 3
|
文章内容 | The secret of the Yawn A When a scientist began to study yawning in the 1980s, it was difficult to convince some of his research students of the merits of “yawning science” Although it may appear quirky, his decision to study yawning as a logical extension to human beings of my research in developmental neuroscience, reported in such papers as “Wing-flapping during Development and Evolution”. As a neurobehavioral problem, there is not much difference between the wing-flapping of birds and the face- and body-flapping of human yawners. B Yawning is an ancient, primitive act. Humans do it even before they are born, opening wide in the womb. Some snakes unhinge their jaws to do it. One species of penguins yawns as part of mating. Only now are researchers beginning to understand why we yawn, when we yawn and why we yawn back. A professor of cognitive neuroscience at Drexel University in Philadelphia, Steven Platek, studies the act of contagious yawning, something done only by people and other primates. C In his first experiment, he used a psychological test to rank people on their Empathic feelings. He found that participants who did not score high on compassion did not yawn back. We literally had people saying, “Why am I looking at people yawning?” Professor Platek said. “It just had no effect.” D For his second experiment, he put 10 students in a magnetic resonance imaging machine as they watched video tapes of people yawning. When the students watched the videos, the part of the brain which reacted was the part scientists believe controls empathy - the posterior cingulate, in the brain’s middle rear. I don’t know if it’s necessarily that nice people yawn more, but I think it’s a good indicator of a state of mind,” said Professor Platek. “It’s also a good indicator if you’re empathizing with me and paying attention.” E His third experiment is studying yawning in those with brain disorders, such as autism and schizophrenia, in which victims have difficulty connecting emotionally with others. A psychology professor at the University of Maryland. Robert Provine, is one of the few other researchers into yawning. He found the basic yawn lasts about six seconds and they come in bouts with an interval of about 68 seconds. Men and women yawn or half-yawn equally often, but men are significantly less likely to cover their mouths which may indicate complex distinction in genders. “A watched yawner never yawns.” Professor Provine said. However, the physical root of yawning remains a mystery. Some researchers say it’s coordinated within the hypothalamus of the brain, the area that also controls breathing. F Yawning and stretching also share properties and may be performed together as parts of a global motor complex. But they do not always occur–people usually yawn when they stretch, but we don’t always stretch when we yawn, especially before bedtime. Studies by J. I. P , G. H. A. Visser and H. F. Prechtl in the early 1980s, charting movement in the developing fetus using ultrasound, observed not just yawning but a link between yawning and stretching as early as the end of the first prenatal trimester. G The most extraordinary demonstration of the yawn-stretch linkage occurs in many people paralyzed on one side of their body because of brain damage caused by a stroke. The prominent British neurologist Sir Francis Wal she noted in 1923that when these hemiplegics yawn, they are startled and mystified to observe that their otherwise paralyzed arm rises and flexes automatically in what neurologists term an “associated response”. Yawning apparently activates undamaged, unconsciously controlled connections between the brain and the cord motor system innervating the paralyzed limb. It is not known whether the associated response is a positive prognosis for recovery, nor whether yawning is therapeutic for innervation or prevention of muscular atrophy. H Clinical neurology offers other surprises. Some patients with “locked-in” syndrome, who are almost totally deprived of the ability to move voluntarily, can yawn normally. The neural circuits for spontaneous yawning must exist in the brain stem near other respiratory and vasomotor centers, because yawning is performed by anencephalies who possess only the medulla oblongata. The multiplicity of stimuli of contagious yawning, by contrast, implicates many higher brain regions.
|
Reading Passage 3 | |
Title: | Musical origin in nature 音乐起源 旧 |
Question types: | TFNG Matching |
文章内容 | 主要一个专家的研究成果,关于音乐的起源和影响。描述音乐和语言之间的联系和关系。BlackingMitten是其中一个重要人物。 We can only guess as to how music was created in the primitive psyche of the time. What follows is pretty much my guess. Early man most likely took some interest in the sounds around him, in some cases it meant life or death, as in the roar of a tiger, or it was pleasing to the ear, as in a bird singing away. I can imagine that after a successful hunt, the hunters would prance and growl around a fire emulating the sounds of the fierce beast they had just slain. They might even have started hitting sticks together in an attempt to emulate the sounds of their clubs thumping dully upon the head of some prey, or the hollow melon sound of a neighbor’s skull when they were fighting amongst themselves over some chunk of meat, or for the best looking mate. The former most likely, due to the fact that the latter would be a six of one half dozen of the other proposition, cosmetics having yet to be invented. In any case, as far as the origin of music is concerned, drums were probably the first primitive music instrument if we remove the human voice from the equation. The Encyclopedia Britannica states "Drums appear with wide geographic distribution in archaeological excavations from Neolithic times onward; one excavated in Moravia is dated at 6000 BC. Early drums consisted of a section of hollowed tree trunk covered at one end with reptile or fish skin and were struck with the hands. Later, the skin was taken from hunted game or cattle, and sticks were used. The double-headed drum came later, as did pottery drums in various shapes”. Basically “Bangin' on the bongos like a chimpanzee¹” was probably our first artistic expression in the realm of music. (¹ Money for Nothing—Dire Straits) The next logical step up from percussion instruments may have been in the woodwind or string family. Imagine a primitive man fascinated by the sound of the wind blowing over some hollow reed, then recreating the effect for his fellow villagers at the next log bashing party, what a hit he would have been! Regular life of the party, such as it was. Panpipes would have been an easy progression for the primitive mind of the time, stick a bunch of varying length reeds together and voila, let the good times roll. The move from the panpipe to the flute must have taken a much greater leap of faith for the period, yet wooden and bone flutes discovered in china have been dated as far back as 9,000 years ago, and one bone flute made from mammoth bone dates back 35,000 years and has a 4 note scale comparable to the Do, Re, Mi, Fa, scale that was so adamantly drummed into our little grade school heads. So some concept of a musical scale existed even if the designer merely chose sounds that were pleasing to him. Still the jump from blowing over a hollow reed to blowing down a tube with graduated fingering holes was a large one. The string section most likely started when some brave soul realized that the sinews garnered from the animals they hunted had uses beyond the traditional binding and stitching functions. From the simple, primitive musical “twang” of a string stretched on a bow as in the Brazilian “berimbau” to the myriad of complex stringed instruments in use today, from violins, to guitars, to pianos, and the many cultural variations thereof. Pythagoras was credited with the mathematics of music as we know it today. His followers “The Pythagoreans” were all musicians as well as mathematicians. According to legend, Pythagoras discovered that musical notes could be translated into mathematical equations when passing blacksmiths at work, and thought that the sounds of their anvils being hit were harmonious and decided that the scientific law causing this to happen must be mathematical and could be applied to music. He went to the blacksmiths and discovered that the anvils were simple ratios of each other, one was half the size of the first, another was 2/3 the size, and so on. The music of the time being un-harmonious in his opinion, (probably due to instrument makers using scale pleasing to them with no regard for what others were doing). The legend also has Pythagoras studying the vibrations of a string stretched tightly between two posts, and basing his musical scale on the frequency of the vibration when the string length was changed. When you attach a string between two posts and pull it tight, you can create sound or musical notes by plucking on the string. The vibration of the string will create a fundamental frequency, according to the length, tension and mass of the string. The string can also vibrate at multiples of its fundamental frequency. These are called harmonics. If the dimensions of the string or wire are correct, the sound made from plucking the string will be a pleasant musical sound, if they are slightly different, the sound may not be musical and just be a sound. In most cases, the string will vibrate at the fundamental frequency or 1st harmonic. But if you pull the string harder, it can be made to vibrate with a shorter wavelength and higher frequency or the 2nd harmonic, 3rd harmonic or even higher. Pythagoras and his school did experiments to discover the relations between musical notes. The pitch of a note being played on, say, a guitar depends on: -The length of the string. -The tension of the string. -The material the string is made of.
|
难度分析 | 本场考试三篇都是之前考过的旧文,tea的话题在剑10中有过涉及,话题背景知识的积累与普及建立在对机经的回顾上。第三篇的长难单词较多,话题的熟悉度不够。考生应加强对经典话题的举一反三能力。题型常规,配对,标题配对,判断,填空也有考察,阅读难度稳中有升,考生要继续加强对不同题型的练习,针对弱项题型的训练。 |